The Tradition

The Legend

Passed down through generations, the legend is performed as a street play on June 24. Follow it chapter by chapter — keep the glossary at hand.

  1. 01

    Two peoples

    By the Ferreira river lived two peoples: the Moors (Mourisqueiros), gold miners of the Santa Justa mountain under the Reimoeiro, and the Christians (Bugios), farmers of the valley led by the Velho da Bugiada.

  2. 02

    The sick princess

    The Reimoeiro's daughter falls gravely ill. No sage or healer can cure her, and her father despairs.

  3. 03

    The borrowed Saint

    Knowing the Bugios venerate a miraculous image of Saint John the Baptist, the Reimoeiro asks to borrow it. In solidarity, the Bugios hand it over.

  4. 04

    The miracle

    Saint John works the miracle and the girl is cured. The Reimoeiro throws a feast of thanks.

  5. 05

    The refusal

    The Reimoeiro refuses to return the image and, as an insult, offers the Bugios his feast scraps. They answer in kind. The pot has boiled over.

  6. 06

    The war

    With the Saint claimed and the return refused, war breaks out. Messengers and Doctors of Law seek peace in vain. Shots fly between the two stages.

  7. 07

    The Velho is captured

    Out of powder, the Bugios fall. The Reimoeiro storms their stage and captures the Velho da Bugiada. Child-Bugios wipe away his tears — the most moving moment of the day.

  8. 08

    The Serpe

    The Bugios call on Saint John and, knowing the Moors fear monstrous figures, conjure the Serpe. They charge with it and the terrified Mourisqueiros flee.

  9. 09

    Order restored

    The Velho is freed and order is restored. At day’s end both armies dance the Dança do Santo, honouring Saint John.

The full story

Read the legend in full

The Legend of Bugiada e Mouriscada

It is told that, long ago, two peoples lived by the Ferreira river. The Moors held the Serra de Cuca Macuca — today’s Serra de Santa Justa — and the Christians lived in the river valley. The Moors, or Mourisqueiros, mined gold in the mountains and were led by the Reimoeiro. The Christians, or Bugios, worked the land and were led by the Velho da Bugiada.

One day the Reimoeiro’s daughter fell gravely ill and no cure could be found. Her father turned to every sage and healer in vain, and fell into despair. Then he heard that the Bugios, the neighbouring people of Sobrado, venerated an image of Saint John the Baptist famed for its miracles — the very one that had once cured the Velho da Bugiada’s own daughter.

In desperation, the Reimoeiro asked the Bugios to lend him the image to intercede for his daughter. In solidarity the Bugios lent it — and Saint John worked another miracle: the girl was healed, to her father’s great joy.

In thanks, the Reimoeiro threw a feast — but refused to return the image to the Bugios. His ingratitude went further still: at the banquet, as an insult, he offered the Bugios his table scraps. They answered in kind. The pot had boiled over.

The Bugios claimed the image as theirs; the Moors refused to hand it over. War broke out. Messages passed between the tribes to make peace — to no avail. The Doctors of Law (each people’s lawyers) argued the law between them, but reached no accord. Shots were exchanged between the two stages and the mood boiled over.

When the Bugios ran out of powder, the Reimoeiro gathered his army, marched on the opposite stage and stormed it, capturing the Velho. Dismay and injustice reigned: the Bugios, who had lent the image out of kindness, now had neither the Saint nor their leader. Only divine intervention could save them.

It is then that the Bugios beg the help of Saint John, their protector, who once more does not abandon them. Recalling the Moors’ fear of monstrous figures, they conjure a Serpe to frighten them. They charge with it against the Mourisqueiros who, terrified, flee and release the Velho da Bugiada. In the end the original order is restored — and both peoples dance the Dança do Santo in honour of Saint John.

Source: legend as recorded on saojoaodesobrado.pt (Fábia Pinto, 2007).